首页 / 《旋转吧爱情》

在(🌙)(zài )两轮服役后(🕌)，乔在等(děng )待(dài )战后(🤳)(hò(🗂)u )综合症治疗的(👄)过程(🏃)中(zhōng )正(zhèng )常生(➰)(shē(📖)ng )活逐渐瓦解

爱情(🎳)侦(😇)探社(shè )是一(yī )个(📹)神(🔓)(shén )秘低调的公(🌂)司，主(zhǔ )要业(yè )务是(🍿)(shì(🙊) )小三劝退，社长马(mǎ(🛋) )葶拥(yōng )有绝佳(👜)的(🍇)政商手腕，周旋在(🚺)(zài )名人富(fù )豪之间(♉)。手(🧙)下的成员(yuán )集(🦁)合了(le )侦探、律师、(🥗)心(🏟)理学(xué )家等人(rén )才(💓)，他们都有着不能(🚹)(néng )摊开在(zài )阳光(🙄)下的秘密人生。有(yǒ(🍸)u )一(♌)天(tiān )，侦探社接(🐆)到一(🔮)个案(àn )子(zǐ )，随(🎭)(suí(🚼) )着案情抽丝剥茧，进(🍱)(jìn )或(huò )退都(dōu )会(🏌)影(🔄)响侦探社的存(🛋)亡。在爱(ài )情的(de )十字(🏒)路(🌠)口，他们开(kāi )始疑(yí(🤷) )惑，究竟谁才有(💉)资(🐔)格获(huò )得真(zhēn )爱(🧠)？这场正宫与小三(🕖)之(🐉)间的(de )对决，究竟(🎻)谁才是最后赢家(jiā(🏝) )？(🔹)

在兰(lán )若寺乱葬岗(🔢)外，女鬼(guǐ )聂小烟(🍤)(yān )与女鬼海棠同(🀄)为树妖(yāo )空(kōng )城的(🚪)(de )手(😛)下，两人一起为(🏣)空(kō(🕉)ng )城(chéng )服务(wù )，抗(📿)击(🚋)捉妖师燕南天(tiān )，并(💄)日(rì )久生情，约定(🎂)要(⭐)互相(xiàng )守(shǒu )护(✋)对(duì )方，不料聂小烟(♈)在(🥥)偶遇(yù )书生(shē(㊗)ng )傅青(✍)(qīng )竹后，这一切(🎢)都(🏷)发(fā )生了(le )改变(bià(🛌)n )，一场三角恋生死(sǐ(😜) )之(🙏)争(zhēng )愈演愈烈(🆔)。

Four childhood friends, all married with no passion left, get together in a high school reunion dinner. Between laughs and drinks, they all agree that they love their wives but no longer desire them. Together they hatch an illogical project: a secret club for men who want to cheat, so that they themselves can regain lust for their wives.

梅姨是一个生活(huó(🛒) )在(🖊)社会(huì )最底层的人(🤖)，为了生(shēng )计，为(wé(📝)i )了抚养儿子毅天(🆕)一直(zhí )做按摩(mó )女(🛄)。漫(🏮)长的岁月被毒(♋)(dú )贩(🐨)(fàn )引诱(yòu )染上(🎯)了(🐆)毒瘾。孟豹是(shì )毅(yì(🏚) )天的(de )同学，整天游(🍷)手(🤰)好闲(xián )，欺负(fù(❓) )同学并收取同学的(📶)保(🎴)护(hù )费。小江是(🍏)毅天(💡)的同学也是(shì(✳) )从(🚜)小(xiǎo )一起(qǐ )长大(🆖)的好兄弟，由(yóu )于不(🧟)(bú(⏰) )肯给(gěi )交保护(🕞)费被孟豹欺负。闻讯(❔)赶(⏫)来的毅天为了救小(💻)江(jiāng )把老妈(mā )刚(👼)给的两百块钱给(👱)了(le )孟豹，孟豹收了钱(⛎)却(🐼)又侮辱(rǔ )了毅(🍩)天(tiā(🎐)n )母亲，毅天气不(🗺)过(🖥)把(bǎ )孟(mèng )豹一(yī )顿(📏)臭打。毒枭老黑正(🚸)(zhè(🧐)ng )好(hǎo )路过(guò )，救(🎩)下了孟豹。毅天(tiān )孟(😇)(mè(🤔)ng )豹从(cóng )此结下(🔓)梁子(⏯)。孟豹跟了(le )毒枭(😸)(xiā(🔕)o )老黑后，一直给瘾(🥏)君子(zǐ )送货(huò )，其(qí(🍓) )中(🛂)就有毅天的母(🕍)亲(qīn )梅姨(yí )。故事究(🌔)竟(🏓)会向什么方向发(fā(〰) )展？让我们拭目(🔆)以待。

本片(piàn )来自(🔎)新(xīn )片场创作人吴(🗡)晋(💠)超，他担任(rèn )这(🥍)部影片的导演、编(🚔)(biā(🎯)n )剧、美(měi )术以及剪(🏨)辑。出品方(fāng )为(wé(👵)i )BITONE。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.